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宇宙探索编辑部

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1.0
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简介:
脑洞大开高分奇片,地球人外星人千里奔现!   唐志军(杨皓宇 饰)是一家诞生于上世纪八十年代的科幻杂志——《宇宙探索》编辑部的主编。现如今的杂志社日渐式微,唐志军也终成落魄潦倒,鳏寡孤独之人。但他却依然几十年如一日的痴迷于寻找地外文明。终于有一天,他接收到了一个疑似来自宇宙深处的异常信号,于是他召集同是天涯沦落人的伙伴们,带着那一个困惑他终生的问题,再一次踏上寻找外星人的旅途。
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主演:高仓健,吉永小百合,米仓齐加年,樱田淳子,田村高广,志村乔,佐藤庆,田中邦卫,金田龙之介,岸田森,左顿平,小池朝雄,川津祐介,永岛敏行,户浦六宏,阿藤快,团岩,小林稔侍,久米明,黑部进,名和宏,纳谷悟朗,辻万长
简介:影片分上下两集,上集《渡海寻爱》,下集《雪下个不停》。1932年4月,仙台联队士兵沟口为营救因贫穷被卖入妓院的姐姐阿薰,开枪打死上级军官被判死刑。联队上尉中队长宫城启介为其辩护无效,将借到的一千日元交给阿薰。部分海、陆军官发动“五一五”政变,失败后分裂为皇道派和统制派。因涉嫌参加派系斗争,宫城被调往朝鲜。上任后的宫城亲眼看到军队上层的腐败,便想发动兵变。宫城再遇成为艺妓的阿薰,责其自甘堕落,让阿苦闷的阿薰生了求死之心。为了帮助阿薰,宫城放弃了反抗运动。1935年10月,宫城调至东京第一联队,并和阿薰开始同居。宫城拜访了自己的恩师、皇道派的神崎中校后决定起事,并将阿薰送到父亲家中。1936年2月25日晚,皇道派军人发起“二二六”政变,事败后宫城等被判死刑,只留下阿薰失声痛哭。  影片描写了处于动荡年代的日本年轻一代军官由于亲眼目睹了政界和经济界的腐败现象,决心发动政变推动昭和维新,结果遭遇完全失败的过程,期间掺杂了一对青年男女的爱情悲剧。高仓健成功塑造了一个认真诚实但不善于以言辞表白爱情的男子汉形象,吉永小百合则以上佳的演技刻划出了一个能够忍受一切不幸的妇女的内心世界。影片曾为1980年日本十大卖座片第十名。
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狂野街头
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主演:谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
简介:Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007  Author TimothyFarrell from Worcester, MA  Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)  -from imdb
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