一个母亲的复仇

简介：杰姬·贾斯蒂斯（哈莉·贝瑞饰）是一名综合格斗选手，但她不光彩地退出了这项运动。在那场格斗之后的数年里，她一直不太走运，终日在愤恨和懊悔中度过，最后被经纪人兼男友德西（阿丹·坎托饰）劝去参加一场残酷的地下格斗，并吸引了格斗联盟组织者（沙米尔·安德森饰）的注意，他承诺会让杰姬重回八角笼。但当曼尼（小丹尼·博伊德饰）出现在她家门口时，她将注定踏上一条冷暖自知的救赎之路：曼尼是她的儿子，生下来没多久就被她放弃了。　　《逆转擂台》是奥斯卡金像奖得主哈莉·贝瑞的导演处女作，主演阵容包括安德莱内·列诺斯、希拉·阿蒂姆、瓦伦缇娜·舍甫琴科和斯蒂芬·麦金利·亨德森，该故事讲述了一名格斗选手的励志之旅，在所有人都认为杰姬已被淘汰出局时，她在赛场内外都重新找回了自己的力量。

简介：剧情简介暂缺，敬请期待

简介：洛杉矶警察汤姆·罗德（基努·里维斯 Keanu Reeves 饰）作风骠悍，勇猛果敢，经常和队友不顾警察条例而对嫌疑犯暴力相向。他们的做法令不法分子既恐惧又憎恨，同时也受到同僚的指摘。凭借队长杰克·沃德（福里斯特·惠特克 Forest Whitaker 饰）的关照，汤姆我行我素，不为所动。　　泰伦斯·华盛顿（Terry Crews 饰）是汤姆的昔日搭档，他奉命调查汤姆暴力执法的问题。某晚，泰伦斯遭到两个戴面具之人的杀害，根据现场遗留下来的证据，汤姆便成了头号嫌疑犯。几经周折，他和负责调查此案的警官保罗·迪斯坎特（Chris Evans 饰）合作，却发现这起谋杀案的背后竟然隐藏着惊天的阴谋。与此同时，危险尾随而至，汤姆必须抓紧时间，为了自由和清白全力奋战……

简介：30歲的維特在西里西亞的建築設計公司工作，某日接到家裡的來信，敦促他回鄉探望生病的父親。維特的故鄉是在華沙附近的小城鎮，當他抵達時才知道父親只是藉口患病希望他回來承擔家庭責任。但維特討厭他們的生活方式，他的父親是個酒鬼，他的妹妹貝拉是個花癡，他的姑媽髒亂而揮霍，維特要到外地工作來滿足他們的花費。　　雖然距前作《水晶的結構》只有兩年，但波蘭的政局已起了變化。華迪洛．哥穆爾卡已經下台，愛德華．蓋萊克成為共黨第一書記。蓋萊克提出努力提高生活水平的政策，但是未獲得波蘭人的信任。　　影片主題是逃避。維特擺脫家人到另一個城市就業；母親早就逃到國外；父親酗酒；妹妹透過性行為。贊祿西不是一個悲觀主義者，他通過電影建議我們應該努力改善我們的生活和工作，而不是後退，或沉迷於不能實現的幻想。

简介：出品单位 长春电影制片厂　　影片采用倒叙手法，通过讲述美国女记者露茜在大庆的所见所闻，揭开很多王进喜鲜为人知的故事，向世人再现和还原一个真实的、铁骨柔肠的铁人形象，用现代人的眼光观照历史，品读和感悟铁人。影片生动刻画了以铁人王进喜为代表的一代中国石油人对祖国、对人民、对事业、对家庭的强烈责任感和使命感，再现会战年代可歌可泣的岁月及大庆50年的变迁与辉煌。

简介：在1930年代，当时世界被战争而分裂，人类处在激情与痛苦当中。导演理查德·隆克瑞恩巧妙地将故事中的狡诈、阴谋、残暴，与当代法西斯象征主义结合在一起。伊安·麦克莱恩演出理查三世，他欲夺取兄长的王位，谋杀、骗婚、歼灭亲族无所不用其极，这样强烈的欲望，驱使他永无止尽的毁掉周遭的人。　　影片是根据莎士比亚的名剧《理查三世》改编而成的，但是影片将故事发生的时间背景由原著中1483-1485年转换到1930年。将莎士比亚的剧作移植到其它年代，是电影人常常做的事，但是却不一定每次都做的好。难能可贵的是，这版《理查三世》不但以睿哲的智能改编了这部剧作，并且在不破坏莎翁美丽的词句下，为此剧注入现代的活力。

简介：Two villages in Rayalaseema, Nallagudi and Kommadi are engaged in a feud for decades lead by Basi Reddy and Narapa Reddy respectively. The son of Narapa Reddy, Veera Raghava Reddy, returns from London after completing his education. Basi Reddy attacks and kills Narapa Reddy on their way home. Raghava instinctively takes a sword and kills his opponents. After talking to his grandmother about the feud, he realizes that violence became a way of life for the people in these villages and he leaves for Hyderabad seeking a solution to the feud. Raghava meets Aravindha in Hyderabad and falls in love with her. She strongly believes in solving problems without bloodshed and sets him on a path of self-discovery. He decides to return to his village and put an end to the feud.

简介：A musical retelling of Charles Dickens' classic novel about an old bitter miser taken on a journey of self-redemption, courtesy of several mysterious Christmas apparitions.　　In 1860, cranky old miser Ebenezer Scrooge hates Christmas; loathes people and defends the decrease of the surplus of poor population; runs his bank exploiting his employee Bob Cratchit and clients, giving a bitter treatment to his own nephew and acquaintances. However, on Christmas Eve, he is visited by the doomed ghost of his former partner Jacob Marley that tells him that three spirits would visit him that night. The first one, the spirit of Christmas Past, recalls his miserable youth when he lost his only love due to his greed; the spirit of Christmas Present shows him the poor situation of Bob's family and how joyful life may be; and the spirit of Christmas Future shows his fate. Scrooge finds that life is good and time is too short and suddenly you are not there anymore, changing his behavior toward Christmas, Bob, his nephew and people in general.

简介：ccc一起令人恐怖的城堡凶杀案

简介：In a Southern province in Thailand, a young boy lives with his uncle and a monkey called Kapi. When the uncle dies, the boy is threatened by a real estate tycoon who wants to buy their land and turn it into a resort. The boy has to train Kapi to enter a coconut-picking competition, with their land at stake.

简介：This experimental work begins with director's rehearsing his new film Ecstasy Garden. The film crosses back and forth the border between reality and fantasy while lovers, mother and daughter come andgo to the river. Mekong Hotel shot during the flood, intertwines the destruction, politics and drifting dream of future.

简介：一群把腳踏車掛上路燈的狂野少年，一位有強迫症的女人，三個拿著真槍真彈、在週末夜玩俄羅斯輪盤的酒友，加上總是在街角鬼吼高唱的唐氏症少年，組成了這部奇異而帶點哀傷的佳作。導演一鳴驚人的首部長片，精準而幾近「偽紀錄片」式的場面調度，透露了創作者對電影媒體比說故事更有野心的企圖：讓電影成為社會的實驗室。