回忆

简介：麦克（余文乐 饰）是全港破案率最高的警察，这是因为他有钱，更确切地说，是他爸爸有钱。用金钱作诱饵、用金钱收买线人，这让他的破案纪录屡屡上升的同时也收获了同事给他的称号：花花型警。没有人相信他能不用金钱破案。一次破案时麦克再次给警队带来大麻烦——从空中洒下金钱导致交通瘫痪——于是被停职。而从大陆过来调查哥哥死因的同样家财万贯的林亨（陈坤 饰）正好认识麦克，相识当天，二人穿着同样的西装，打着同样的领带，冥冥中的缘分，更巧合的是，麦克的前女友lisa（钟嘉欣 饰）对林亨形影不离。一个要查出真凶，一个要证明自己的能力。林亨与麦克结伴而行，从获得线索开始，他们渐渐发现，自己被凶手带入了一个陷阱，险象环生中二人建立了非同一般的友情，然而结局并非我们所想的美好。

简介：导      演李南　　编      剧魏新玲　　主      演赵子璇、阿曼太、阿克坡塔、叶尔纳•巴哈提吾尔旦、法蒂哈　　片      种美术片　　出品单位中国电影家协会影视创作中心、北京方盛广告...　　长      度79分钟　　出品年代2007　　剧情简介　　这是像宝石一样美丽的地方，格黑里牙。　　　　叶尔肯，一个12岁，有着少年赛马冠军称号、带着倔强表情的格黑里牙孩子和他的妹妹阿娜尔以及他的小伙伴阿拜、努尔江认识了从城市里来的同岁的漂亮女生佳佳，佳佳背着巨大的行囊从很远的城市自身一个人来到这里，她甜甜的笑容，她魔法一般能让人扭动的随身听，她随时随地都都不离手的DV摄像机，以及她没完没了地拍摄枯死的胡杨树……这一切都让他们觉得既新奇又不解，正是因为生活环境和观念的差异，互相之间的不理解变成了相处中的摩擦和冲突。　　　　为了筹款买DV摄像机拍摄胡杨树，佳佳卖掉了自己心爱的书，又把没卖完的书带到格黑里牙，用便宜的价格租、卖给小朋友，然而，在叶尔肯的想法里，“好东西就该大家共享”，他看不惯佳佳租卖书籍的行为，两人因此发生了激烈的争执，僵持不下的时候，叶尔肯气呼呼地离开，回来的时候带来300元钱，他要把佳佳的书全部买了下来。　　　　然而佳佳并不知道，这300块钱是叶尔肯卖掉自己养的羊换来的，他打算将这些书开办一个让小朋友免费读书的阅览室，而这头羊，原本是叶尔肯打算养到寒假的时候再卖掉，筹集路费和妹妹一起去看望在边疆哨所的父母，现在却被提前卖掉了，为了帮助叶尔肯，好朋友阿拜以及努尔江都义气地拿出自己全部的零花钱。　　　　随着叶尔肯和佳佳的矛盾日渐加深，叶尔肯的妹妹，能歌善舞的小姑娘阿娜尔却像小尾巴一样和佳佳形影不离，佳佳还把自己的随身听送给了阿娜尔，阿娜尔欢天喜地，宝贝似地成天带在身上，阿拜有点眼红，想法设法借到手，又转给努尔江和叶尔肯听，不料随身听却突然不响了，三人束手无策，叶尔肯决心带阿拜、努尔江上山采药，卖了钱买一个新的赔给佳佳。　　　　采药途中，三人意外碰到一头被偷猎者射伤的小马鹿，叶尔肯将它带回家养伤，然而却被打算前来参观阅览室并归还叶尔肯300元钱的佳佳发现了，误以为是叶尔肯他们打的，矛盾再一次迸发。对叶尔肯产生误会的佳佳，想法设法要救出小马鹿却都未能如愿，最后，她打算自己制造一次“失踪”，让叶尔肯为找不到她而着急，并借此与叶尔肯谈判放归小马鹿，她一个人来到了“三北防护林”，在这里，她意外遇到了来格黑里牙的巴士上认识的大姐姐，从她口中，她知道了一个发生在大姐姐以及叶尔肯的爷爷、著名的哈萨克族老伐木工卡日木身上的感人至深的故事……　　　　这是一部环保题材的儿童故事片，汉族孩子和哈萨克孩子相遇在这云高风清、绿染天地的新疆土地上，他们互相好奇，互相关爱，又互相闹别扭，就在他们因为文化环境差异产生的小小冲撞的插曲之中，孩子们纯洁的心灵弥散出一阵阵温暖的芬芳。整个影片风格清新，然而在孩子明亮的眼睛里，却可以听到民族团结以及人与自然和谐的音符，又透过他们的眼睛，看到一片受过伤如今依然郁郁葱葱的原始森林，一片新生的绵延不绝的“三北防护林”、一片焕发出顽强生命力的古老的胡杨林，感受自然带来的震撼与启迪。

简介：

明嘉靖晚期，贪官赵炳仁为躲避朝廷的调查，不惜杀人灭口。 他将杀人罪嫁祸给李鑫，却不料在林洵的帮助下越狱而逃。更多的人和势力随即被卷入其中,为了保命，李鑫必须在这些势力中斡旋，并最终破坏赵炳仁的阴谋。

简介：1900年的巴黎，妓院普萝奈像一座宫廷一样，成为寒夜里最温暖的地方。波莉娜·德埃（Iliana Zabeth 饰）刚十五岁半，写了封自荐信要求到妓院工作，声称希望“自由”；美丽的玛莲娜（Alice Barnole 饰）遇上一个肯给她蓝宝石的客人，她以为是爱情，却迎来把她割成笑面人的刀子；朱莉（Jasmine Trinca 饰）不幸染上梅毒，老相好只给她写来情意绵绵的信，放任她死亡，只有姐妹们哭泣……妓院里浮光掠影着百年前的种种，男人和贵族们的奇怪欲望，女人们被持续物化，虐恋和疾病永不止息，假面舞会要终结怎样的痛苦……

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

简介：眼盲的教授杰克经历了一场极具实验性的手术来恢复视力，但捐赠给他的那双眼睛却是来自一位心狠手辣的杀人魔，彷彿被附身的杰克因此性情大变，而他的妻子也被迫面临这失控的一切。

简介：In this Western starring Tom Berenger and Trace Adkins, the action begins as Kansas Red (Drew Waters, True Detective) rescues young Billy from a card-game shootout. The boy asks Red for help protecting his family from outlaw Thorn (Adkins), who's just kidnapped Billy's mother, Carol. As Red and Billy ride off to rescue Carol, they run into beautiful, tough-as-nails Leslie, who's managed to escape Thorn's men. The three race to stop Thorn's wedding to Carol with guns a-blazing -- but does she want to be rescued

简介：1984年七月， Varda 在 Avignon 的一棟養老院裡看到一個名為《活生生與人造的》（Le vivant et l'artificiel）的展覽。展覽場裡，藝術品與動物、人工心臟、發霉的牆壁混亂地共存著。視覺上的震憾讓她久久不能自己，於是她決定帶領我們，重回險地。我們看到一間間住宅，或空的、或滿的。隨著時間流逝，卻留下奇怪的痕跡。另外， Varda 也在這家養老院裡遇到了即將是《無法無家》裡的「女僕」 Yolande Moreau 和「老太太」 Marthe Jarnias 。　　Varda 曰：　　『在高速火車的搖晃下，我無法讓自己不去想–那些我的精神正試著去吸納的不協調的影像。一到巴黎，我立刻打電話給 Louis Bec 和 Bernard Faivre d'Arcier ，要求他們讓我去拍這個展覽，不是為了去理解它，而是為了從中汲取靈感。他們答應了。幾天之後，我們出發前往拍片。在回到 Avignon 的高速火車的搖晃下， Nurith Aviv 要求看我的大筆記，好知道他將要拍的是甚麼。筆記紙幾乎還是空白的，我們只看到一些標題：廚房、父母的房間、用餐、窗戶。所有的家庭生活都註記到了，但沒有一樣是準備好了的。整部影片完全是以即興的方式去拍的，沒有標記、沒有脈絡。我只不過是跟隨著因參觀現場而感受到自己真實的心臟跳動，和那些仍然令人感到溫暖的老人的存在。』　　A.   Varda,1993年, in Varda par Agnès, Ed. Cahiers du cinéma, 1994.

简介：

伊利莎（温蒂•希勒Wendy Hiller 饰）是伦敦街头的卖花女。她相貌清丽，可惜家境贫寒，满口乡音。她叫卖鲜花的声音飘荡在街头，甜美动听，传到语言学家希金斯教授（Leslie Howard 莱斯利•霍华德 饰）那里。教授非常欢喜，觉得伊利莎是个可塑之材。                                                                      　　伊利莎觉得这是个改变命运的好机会，于是找到希金斯。皮克林是希金斯（Scott Sunderland 史葛特•桑德兰饰）朋友，他暗中打赌，如果希金斯能把伊利莎调教成贵妇出席半年后的宴会，那么培养费就由他承担。                                                                      　　从每一个发音开始纠正，专业的训练让伊利莎慢慢脱胎换骨。然而伊利莎得知自己只是一个赌注时，抑制不住失望和气愤……

简介：

讲述一对因疫情封城而隔离在家的夫妻，开始重新审视自己以及两人的关系。

简介：影片主要讲述了一个身体素质原本并不是很好的学霸少女——邓嘉在学习网球的过程中，通过自己的汗水和韧劲一步步变强，并最终成为职业网球运动员的故事。

简介：

艺术品经纪人丹尼尔与妻子奥莉薇娅在外举办化妆舞会，保姆在家照看女儿。舞会的调酒师凯西·罗斯密切关注着这对夫妇，心里盘算着一个秘密计划对付二人……