无名鸟

简介：After she inherits an Italian restaurant in Brooklyn, manager Amy teams up with a blacklisted master chef looking for a second chance. They discover that the most important ingredient for any recipe is always love.

简介：影片表现了13世纪俄国亚历山大·内夫斯基王子率领军民击溃掠夺成性的德国立窝尼亚条顿骑士的业绩。爱森斯坦借鉴民间叙事诗的技巧，使这一爱国史诗具有明显的壮丽歌剧的风格。条顿骑士入侵俄国后，无恶不作。他们洗劫普斯科夫，吊死爱国者。内夫斯基带领人民群众，以伊格纳特等积极分子为骨干力量，保卫了重镇诺夫哥罗德，消灭了叛徒托瓦尔其洛。最后，在楚德湖的冰面上大败条顿骑士。

简介：当一位年轻女子爱上一位迷人的摄影师时，她冒着被纽约一个封闭小团体排斥的风险，而这个小团体由她最好的朋友所领导，这位好友同时也是社交名媛。

简介：On Kate's 21st birthday camping trip, her friends encounter Piglet, a monstrous human-pig hybrid who brutally murders one of them. They uncover Piglet's origins and Kate must confront her past to survive the relentless killer.

简介：剧情简介暂缺，敬请期待

简介：由蔡秀彬、张东尹、振永主演的KBS独幕剧《如果我们是季节》，讲述纯粹又青涩时期的青春爱情故事。

简介：一名年輕醫師搬到寧靜的鄉下，不幸成為青少年黑幫的目標；幫派準備對他做出肇事逃逸的行為。他的唯一依靠是一個十四歲的女孩，但可能會在重要時刻成為致命的傷害。

简介：隐藏在小亚细亚的茫茫冬雪中，是看不见尽头的凄沧。小学老师萨密自比枯草，一直期待快将调职回城市的学校，但某日一封学生藏在笔记簿里写给他的情书被发现，衍生出他性骚扰学生的指控。梦想幻灭、同袍情谊恶化、其他教职员之间的窃窃私语，使得萨密临近崩溃边缘。直到遇见帮他克服难关的女老师，让这绝望的寒冬起了变化。                                                                    土耳其电影大师努里·比格·锡兰时隔四年带来新作，借人与人之间的伤痛和救赎，既自省亦警世。餐桌上一场群体与个人、抗争与妥协的意识形态思辩，更令人拍案叫绝。女主角凭此片夺得戛纳电影节最佳女演员殊荣，成为史上首位土耳其戛纳影后。

简介：梵蒂冈首席驱魔人真实事迹改编，加布里埃·阿莫尔特神父（Father Gabriele Amorth）一生（于2016年去世，享年91岁）主持超过10万宗驱魔仪式。

简介：离开多伦多大学享有盛誉的职位后，加布里埃尔与朱莉娅一起踏上了新的旅程，他渴望成为一名父亲。然而，当茱莉亚的密集计划变得消耗殆尽时，加布里埃尔的田园诗般的愿景受到威胁

简介：邪恶的斯努克所率领的第一秩序正以前所未有的破坏力扫荡抵抗者组织最后的力量。几经辗转，蕾伊（黛西·雷德利 Daisy Ridley 饰）终于在银河一隅找到隐居的卢克·天行者（马克·哈米尔 Mark Hamill 饰），与此同时她自身的力量也正慢慢苏醒。遭到重创的抵抗者命悬一线，为了摆脱第一秩序的追杀，芬恩（约翰·博耶加 John Boyega 饰）和萝丝（凯莉·玛丽·陈 Kelly Marie Tran 饰）逃出主舰，试图找到能令他们起死回生的人物，而好逞英雄的波（奥斯卡·伊萨克 Oscar Isaac 饰）则留下来见证着抵抗者最为危机和绝望的时刻。另一方面，凯洛·伦（亚当·德赖弗 Adam Driver 饰）和蕾伊的精神世界意外连通，他终将和自己的恩师卢克迎来决算的时刻……©豆瓣

简介：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,