黑爵士三世

简介：杰罗德·亨利教授（文森特·普莱斯 Vincent Price饰）是一名醉心艺术的雕刻艺术家，他的每件蜡像雕塑都栩栩如生。他一直潜心钻研历史上的著名人物形象，尤其钟爱法王路易十六的王后玛丽·安托瓦内特。然而他的生意合作伙伴马修·伯克（罗伊·罗伯茨 Roy Roberts饰）却因为杰罗德经营蜡像院收益不佳而大为不满。为了更快的收取钱财，丧心病狂的马修烧毁了整座蜡像馆，包括所有杰罗德视如珍宝的蜡像雕塑。火灾之后，杰罗德葬身火海，神秘地失踪了，而马修则如愿得到了大笔保险金。　　18个月后，杰罗德竟然奇迹般地“复活”了。不仅如此，杰罗德还举办了一次全新的艺术展览，一场以死亡暴力为题，令人毛骨悚然的血腥之展。苏·艾伦（菲莉丝·柯克 Phyllis Kirk饰）本是一名普通的美丽女孩，刚刚成为杰罗德的新任助理。可随着她的好友离奇被杀之后，苏的生活开始变得危险而不安。苏怎会知道，她正是杰罗德要创作的下一个完美蜡像玛丽·安托瓦内特。

简介：麦斯（查克·诺瑞斯 饰）和李奥（小路易斯·格赛特 饰）是一对即将退休的佣兵，然而就在他们碰到一位身怀藏宝图的美女时，人生却有了意外的转折。这对哥俩好怀抱着挖宝的美梦，踏上一段有如云霄飞车般刺激的冒险旅程，从亚马逊山中的失落古庙一路追寻到危地马拉的丛林。他们在途中碰到一队不友善的外国佣兵、噬血的鳄鱼，以及深怕他们想偷走祖传宝藏，一心置他们于死地的印第安祭司后代。他们必须突破重重危险，破解致命的咒语，才有机会抱得宝藏归。

简介：On an emotional journey in Morocco, an entrepreneur pieces together the turbulent life of his estranged mother and meets her adopted daughter.

简介：贝欣（张艾嘉 饰）与文子洋（周华健 饰）是青梅竹马的情侣。因为“文化大革命”的缘故两人分隔两地，情谊未变但贝欣因为外婆的关系无奈下嫁到英国。她要帮助丈夫打理生意，仍遭到丈夫打骂，还要照顾残疾的继女叶帆（袁咏仪 饰）。因为交通意外使双腿残废的叶帆脾气十分暴躁，骂自己骂别人。不久，在贝欣的鼓励与关怀下，叶帆有了极大的好转。但丈夫沉迷赌博最终欠下巨债。贝欣决定与丈夫离婚，带着叶凡回香港生活。回港不久贝欣又遇上财产纠纷，正当她下嫁律师高骏（赵文瑄 饰）作为胜出官司的赌注时，初恋情人文子洋出现了，并为叶帆治愈了疾病。叶帆爱上了这位风度翩翩的医生……

简介：When a famous doctor kills his adulterous wife, he is defended by his best friend, an attorney--who suspects that his own wife is having an affair.

简介：Paul (Morgan) investigates his late father's increasingly disturbing past and becomes suspicious of the mysterious, melancholic, and possibly dangerous, Madeleine (Ardant).

简介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

简介：一对老夫妻为了复活自己的外孙，于是绑架孕妇，尝试执行恶魔仪式，让孙子通过孕妇未出世的孩子复活，结果随着警察的调查和超自然事件的发生，导致事情逐渐失去老夫妻的控制。

简介：亨利认为安雅是个妓女所以把她带回了家，两人开始一段奇特的关系。 当人们误以为他俩人是朋友的时候，安雅偷了亨利的钱包然后冲出家门。亨利把安雅抓回来，把她绑在椅子上，这时安雅终于说出了心底关于“莉莉”的秘密：她是一个从别人家逃跑，最后被谋杀的可怜女孩……

简介：“一张照片，也许可以改变世界”----它根据故事中的两位主角Greg Marinovich和Joao Silva的回忆录改编，讲述一位图片编辑Silva（玛琳·阿克曼饰）与她的四位战地摄影师，其中包括主角Greg Marinovich（瑞恩·菲利普饰演），他们组成枪声俱乐部，深入南非用自己的相机和镜头记录和揭示了这里的秘密和罪恶。　　影片的背景设置在90年代初南非种族隔离后的第一次自由选举时期，他们来到这片充满了血腥和暴力的所在，在枪声和威胁中拍摄了极端优秀的作品，这些作品后来也获得了当年的普利策奖，与此同时，他们也付出了沉重的代价。。。　　　　◎幕后制作　　影片充满诚挚与刺激,在揭露道德与真相的同时,也有裸露和性感镜头造势。而摄影爱好者大概不能错过电影中各式相机的出场,有老式胶片机也有现代数码相机。

简介：礦業大王張百貴病重, 臨終前, 他希望能見兒子振華的未婚妻一面. 振華於是趕往酒店尋找未婚妻盧莎莉, 可是莎莉卻剛巧外出. 振華靈機一觸, 請求酒店女職員舒小玲冒充未婚妻, 以還老父心願. 怎知, 百貴自與小玲會面, 病情竟突然好轉. 小玲被迫繼續扮演振華的未婚妻, 而百貴更特地為小玲舉行了盛大宴會, 向賓客宣佈兒子與她的婚事. 宴會當晚, 小玲臨時缺席, 百貴往找小玲, 得知事情真相, 不但沒有怪責, 反而向友人宣佈小玲快要與振華結婚. 振華真正的未婚妻莎莉獲悉振華婚訊, 竟前來張家向百貴索取巨額賠償. 振華看穿莎莉的真面目後, 決意與她分手. 最後, 振華與小玲亦弄假成真, 雙雙墮入愛河.

简介：Avery bullard tredway 公司总裁去世了。但他从未指定明确的继任者，所以董事会成员必须选择一个继任者。最有可能的是 loren shaw 一个老练的商人，但是其他一些人不喜欢他的算计方式。但为了阻止他，他们必须找到其他能支持他的人。会是工程师 don walling 吗？这需要说服力，他们不相信他的年轻和理想主义。他甚至不确定自己是否想要这份工作，他可能更喜欢创造，而不是政治活动。