钦差大臣

简介：导      演孟卫国、赵泽仁　　编      剧杜晓鸥　　主      演郭嘉艺、姜依、张金阳、李铁军　　片      种美术片　　出品单位北京中视远图科技有限公司、北京瑞华新视文..　　. 长      度93分钟　　出品年代2007　　剧情简介　　小龙岛的孩子们有一架战争年代传下来的望远镜，挂在司令阿根的脖子上，被城里来岛上做历史考察的人相中，要孩子们捐给历史博物馆，并答应送给孩子们一架有夜视仪的高倍望远镜。尽管不舍，以阿根为首的孩子们还是捐出了望远镜。他们天天盼望大人们兑现承诺。终于有一天，一个陌生人带着望远镜上了小龙岛。

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1997年，只有6岁儿童智商的智障男子李龙久（柳成龙 饰）和可爱的女儿艺胜（葛素媛 饰）相依为命，生活虽然简单清贫，却充满幸福。某天，执着为女儿买美少女战士书包的龙久意外卷入一起幼童诱拐奸杀案，而死者竟是警察局长的女儿。龙久懵懂无知，搞不清状况，昏头昏脑就被投入监狱。在7号牢房中，聚集着走私犯蘇杨浩（吴达洙 饰）、诈骗犯崔春浩（朴元尚 饰）、通奸犯姜万范（金正泰 饰）、恐吓犯老徐（金基灿 饰）和抢劫犯申奉植（郑万植 饰）等五毒俱全的“社会渣滓”。龙久孩子般纯洁的心渐渐感动了这几个“大坏蛋”，他们甚至不惜冒险将艺胜带入牢房与父亲相会。                                                                      　　黑暗冰冷的监牢内，7号牢房阳光满满……

简介：影片讲述一个成功的体育经纪人达伦（迈克尔·伊雷饰），当他被卷入由一个身份存疑、不知羞耻但行为坚定的侦探（希拉里·斯万克饰）领导的警方调查中，他原本的完美生活渐渐消失……

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身为全职妈妈的她酷爱阅读犯罪故事，当她调查一名女子的谋杀案时，却意外发现小镇居民最深藏的秘密。

简介：剧情简介暂缺，敬请期待

简介：教授阿蒂利奥（罗伯托·贝尼尼 Roberto Benigni饰）对诗有着狂热的喜爱。离了婚的他带着两个小女儿，每天都致力于让他的学生发现诗的美好。近来，有一个梦境常常困扰着他，梦中他在教堂里迎娶一个女子。　　直到他参加阿拉伯诗人福阿德（让·雷诺 Jean Reno饰）的记者招待会，才终于在现实中见到了梦中的女子。他坚信眼前的她（尼可莱塔·布拉斯基 Nicoletta Braschi饰）正是自己命运中注定的另一半。于是，这个诗人像迷恋诗歌一样，迷恋上了这个福阿德身边的文学研究员维多利亚。　　但是，维多利亚对阿蒂利奥并无好感。她随福阿德回到伊拉克，却不幸中在战火中受了重伤。阿蒂利奥闻讯，不顾一切的奔往那个战火纷飞的国度，寻找心爱的维多利亚，为她疗伤让她苏醒。曲折的旅途就像历险，然而心中有爱，一切都变得无惧。

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影片真实再现了五六十年代，新中国百废待兴，全国开展了轰轰烈烈的社会主义农村合作化运动。青年作家柳青辞掉北京优渥的干部待遇，他决心亲自参与实践，创作一部反映社会主义人民集体创业的史诗巨著。柳青举家落户在皇甫村的一所破庙里，他深入农村建设一线，扎根人民十四年，历经各种运动， 面对农业合作社建设的各种困境，他铁肩担道义，和农民一起开辟了社会主义事业在农村的新局面，在各种困境中创作出《创业史》第一部，一经发表，轰动全国。就在他雄心勃勃展开第二部创作时，一场更大的风暴席卷而来，面对人生的磨难，他不忘初心，最终用一生书写了一段艰苦卓绝的社会主义创业史。

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

简介：一部以江陵为背景，讲述为了自己的利益想要霸占江陵的混混们的故事。

简介：This film took the top honor at the 1969 Berlin Film Festival. After a series of documentaries, this marks the directorial debut for Zelimir Zilnik. It takes a decidedly anti-Stalinist view in the wake of the 1968 Russian invasion of Czechoslovakia and raises important political questions. He states that although the world has experienced untold wars, there have only been a handful of revolutions with any lasting significance that lead to political change.

简介：康德瑞（杰拉尔·德帕迪约 Gérard Depardieu 饰）有一个人人羡慕的幸福家庭，尽管和妻子结婚多年，但两人的感情依旧甜蜜而牢固，不幸的是，这样的生活随着菲利普（亨利·加尔辛 Henri Garcin 饰）和马蒂尔德（芬妮·阿尔丹 Fanny Ardant 饰）夫妇的到来而画上了句点。　　原来，马蒂尔德和康德瑞之间曾经有一段炽热而真挚的感情，但由于种种误会，两人最后未能开花结果，如今他们都已成婚，再次相见，两人心中五味杂陈。随着时间的推移，火苗开始在爱情的灰烬里重新燃起，马蒂尔德和康德瑞双双背叛了各自的家庭。没过多久，菲利普就发现了妻子的不忠，他强行带走了马蒂尔德，两人搬去了别处。悲伤的马蒂尔德无法承受又一次的分离，她的固执和极端为之后的悲剧埋下了伏笔。