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简介：德贵家的（倪萍）原本有名有姓，是随在北方务工的男人德贵来到安徽某个小镇后，她才被当地人按习俗称为德贵家的。德贵家的三十几岁时，仍无法生育，经好友金梅（艾丽娅）劝说，她抱养了女孩仙仙。为求丈夫在外平安，德贵家的像当地媳妇一样，在堂屋外置了一口注满清水的大缸，不想德贵还是给摔死了，镇里人就此议论纷纷，说仙仙有邪气。但德贵家的坚持认为孩子无辜，立下不进邻里家门的誓言。　　日子虽过得清苦，德贵家的对仙仙却是好到不能再好，甚至金梅担心她吃不消悄悄把仙仙送进孤儿院时，她不惜与金梅“翻脸”。省吃俭用一切为仙仙之外，德贵家的梦想仙仙能像仙女一样跳脚尖舞（芭蕾），可是由于她一直背着仙仙干活不让她下地，仙仙长到四岁还不会走路。某次意外事件“刺激”了仙仙，德贵家的自编的“神仙舞”和歌声自此充满母女两人的生活。长大后的仙仙（李璐）得知自己的身世后，深深为拥有这样一位母亲而骄傲，其后，她也圆了母亲自她小时便在她身上种下的梦。

简介：出身于破碎家庭的家聪（陈家乐 饰），与演艺路上怀才不遇的单亲妈妈佩怡（周家怡 饰）成立了一家可以提供“出租家人”服务的公司。 一次偶然的机会，家聪发掘了沉迷于演戏的临时演员志光（曾志伟 饰），并诚邀他加入“出租家人”行列，志光爽快答应。 志光加入后又遇上喜欢跳舞的包租婆芳芳（恬妞 饰），阴差阳错下两人出演“临时夫妻“，并与家乐及佩怡变成“一家人”，谁知这个临时家庭却在服务过程中发现了埋于深处的秘密 究竟什么才算是家人？最可贵的关系又是什么？导演刘伟恒透过本故事让观众作深入的反思。

简介：Using few words and gorgeous imagery, this is a poetic painting of a family, each in their own space on an August afternoon.

简介：在这部Ellen自2003年以来首部单口特辑中，她回顾了自己的成名之路，娓娓道来沿途经历真情与爆笑的种种话题。

简介：华尔街金融从业者莲实圣司（伊藤英明 饰），在事业取得辉煌成就的时刻选择辞职，回到祖国日本，在一所私立高中担任英语老师。莲实英俊帅气，亲切和善，平易近人，在学生中间有着极高的人气。但是在当前快乐平和的表象下，不安定的氛围悄悄浮现。先是与莲实关系很近的心理咨询教师水落聪子（中越典子 饰）被人威胁，之后体育教师体罚学生，医务室老师田浦（高冈早纪 饰）色诱莲实，而一向阴郁严肃的老师钩井正信（吹越满 饰）则警告聪子不要与莲实走得太近。似乎，莲实那张永远充满阳光般笑容的面孔背后，隐藏着常人难以捉摸的秘密和杀心……本片根据貴志祐介的原作改编。

简介：1877年圣诞节，奥地利万人敬仰的茜茜公主迎来了她40岁的生日。虽然贵为奥地利与匈牙利的皇后和弗朗茨·约瑟夫一世皇帝的妻子，她却没有表达自我的权利，只需保持美丽和年轻的状态即可。为了满足人们的这些期待，她一直在严格地节食、健身、美发、每日测量腰围。这些规则令她感到窒息，她渴望知识和生活，不愿只做一个美丽的花瓶，因此开始越来越频繁地打破这个形象。

简介：聚焦导演王湘圣83岁的外婆跟94岁的奶奶，性格迥异、热爱生活的两个老人一起过着普通而快乐的日子。

简介：老左（黄秋生 饰）是香港老一代彻头彻尾的左派，他哼唱《歌唱祖国》、《智取老虎山》，高举为人民服务的伟大旗帜。他一生最大的愿望就是能到北京天安门去看看。　　老左一生全心全意为人民服务，完全没有把心放到自己的小家上，令儿子左忠（郑中基 饰）心生不满。左忠有一个青梅竹马的女友陆敏（莫文蔚 饰），陆敏高中毕业后去了国外留学，左忠不想一辈子和老左一样背着“左”的包袱，利用内地改革开放的机会，展开了内地冒险式淘金之旅。　　左忠和陆敏在1997年回归后最终满身伤痕回到香港，老左的一生最终将如何落幕？

简介：《耶稣基督：走出埃及》是《夜访吸血鬼》作者安妮·赖斯（Anne Rice）“耶稣基督系列”的第一部，讲述了7岁的耶稣和他的家人离开埃及回到拿撒勒，发现了自己出生的真相、以及自己的使命。还有第二部名叫《通往迦南的道路》（The Road To Cana），而第三部《天堂王国》（The Kingdom of Heaven）则还在创作当中。　　《耶稣基督：走出埃及》由克里斯·哥伦布（Chris Columbus）的1492影业和CJ娱乐公司制作，导演是曾执导过《被投石处死的索拉雅》（The Stoning of Soraya M）的赛勒斯·诺拉斯特（Cyrus Nowrasteh），而编剧则是赛勒斯·诺拉斯特和他妻子。

简介：Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.

简介：影片改编自D.H.劳伦斯的同名小说。　　查泰莱夫人（艾玛·科林 饰）对丈夫（马修·达克特 饰）的爱消磨殆尽，转而与庄园的猎场看守人（杰克·奥康奈尔 饰）展开一段炽烈恋情。

简介：Four sorority sisters reunite at a Black Greek Weekend celebration. But the past comes knocking on their door and strange and inexplicable things begin to happen, threatening to unearth the deadly secret that may tear them apart.