与“Aria”相关的影片 共
加冕礼
655
9.0
已完结
加冕礼
9.0
更新时间:05月19日
主演:MaríaCánepa,胡利奥·晶,MyriamPalacios,GabrielaMedina,AdelaSecall,BorisQuercia,PabloKrögh,LuisDubó,CésarLópez,PauloMeza,CésarArredondo,MaríaIzquierdo,JuanS.Cuevas,AlfonsoRojas,MauricioPesutic,杰米·瓦德尔,格洛利亚·蒙奇梅尔,德尔菲娜·古兹曼,GuadalupeBornand
简介:此片改编自智利作家José Donoso的小说,荣获了39项国际大奖,是智利历史上最非凡的电影。讲述的故事发生在一幢残垣败瓦的大宅里,五十八岁的唐安德斯是单身没落贵族,读了一辈子书却活得毫不起劲,颓废抑郁,十七岁的乡村少女艾丝蒂拉受雇照顾其年迈而脾气暴躁的祖母,渐渐地唐安德斯对她产生了无法抗拒的爱恋。当艾丝蒂拉结识了一名工人阶级少年后,一座死火山终于爆发,不惜将一切淹没。从颓废与崩析刻划心理矛盾与超乎常态的情绪波动,一直是智利当代文学大家荷西唐劳素(José Donoso)的特色。由摄影指导晋身导演的卡奥治,继前作《镜中月》后再次改编唐劳素的小说。对原著丰富含蓄的细节和角色的执迷拿捏准确,在智利、蒙特利尔和意大利2000年的电影节均赢得最佳导演奖。
2124
2000
加冕礼
主演:MaríaCánepa,胡利奥·晶,MyriamPalacios,GabrielaMedina,AdelaSecall,BorisQuercia,PabloKrögh,LuisDubó,CésarLópez,PauloMeza,CésarArredondo,MaríaIzquierdo,JuanS.Cuevas,AlfonsoRojas,MauricioPesutic,杰米·瓦德尔,格洛利亚·蒙奇梅尔,德尔菲娜·古兹曼,GuadalupeBornand
小孤星
133
3.0
已完结
小孤星
3.0
更新时间:05月19日
主演:薇朵儿·希维索,DelphineSchiltz,MatiazBureauCaton,LéopoldineSerre,玛丽·特兰蒂尼昂,泽维尔·布瓦,克莱尔·勒布,AurélieVérillon,HenriBerthon,CarlaIbled,LuckieRoyer,AntoineduMerle,MarianneFavre,HadrienBouvier,BenjaminLemaire
简介:

  4岁的波纳特(薇朵儿·希维索 饰)从父亲口中得知自己的母亲发生车祸后不治身亡了,小波纳特难过得哭了起来,而且由于父亲工作的关系,她需要在阿姨家生活。波纳特不肯承认自己的母亲已经离开自己了,她深信上帝会把母亲重新带到她身边,她常常自己一个躲着大伙,继续期盼母亲出现。 就算父亲、阿姨、表弟表妹如何劝慰她,她还是坚持着自己的信念。
  上寄宿学校后,同学告诉波纳特上帝是可以帮助她的,而且小波纳特努力要成为上帝的女儿,因为她想要跟上帝说话,跟上帝说把母亲还给她。
  小波纳特总是无法开心起来,她日夜想念自己的母亲。小小的她独自来到了母亲的墓前,没想到母亲竟然重新出现在她的面前,母亲温柔的教她要面对自己的生活。纵使她不舍得母亲离去,当父亲来接她的时候,她对父亲说,母亲要我学会快乐……

522
1996
小孤星
主演:薇朵儿·希维索,DelphineSchiltz,MatiazBureauCaton,LéopoldineSerre,玛丽·特兰蒂尼昂,泽维尔·布瓦,克莱尔·勒布,AurélieVérillon,HenriBerthon,CarlaIbled,LuckieRoyer,AntoineduMerle,MarianneFavre,HadrienBouvier,BenjaminLemaire
胆包天
397
10.0
已完结
胆包天
10.0
更新时间:05月19日
主演:托马斯·米连,约瑟夫·科顿,MariaFiore,MarioPiave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,SilvanoTranquilli,ShirleyCorrigan,AntonioCasale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,GiuseppeCastellano,TomFelleghy,伊妲·伽利,AdolfoLastretti,BrunoAlias,布鲁诺·贝托奇,瓦尔特·帕特里亚尔卡
简介:

  Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
  The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

2180
1975
胆包天
主演:托马斯·米连,约瑟夫·科顿,MariaFiore,MarioPiave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,SilvanoTranquilli,ShirleyCorrigan,AntonioCasale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,GiuseppeCastellano,TomFelleghy,伊妲·伽利,AdolfoLastretti,BrunoAlias,布鲁诺·贝托奇,瓦尔特·帕特里亚尔卡
白日美人
125
10.0
已完结
白日美人
10.0
更新时间:05月19日
主演:凯瑟琳·德纳芙,让·索雷尔,米歇尔·皮科利,吉内瓦维·佩吉,皮埃尔·克里蒙地,弗兰西丝·法比安,玛莎·梅赫勒,穆尼,MariaLatour,克洛德·塞瓦尔,米歇尔·查瑞尔,IskaKhan,贝尔纳·米松,马塞尔·沙尔韦,弗朗索瓦·麦斯特,弗朗西斯科·拉瓦尔,乔治·马沙尔,弗朗西斯·布朗什
简介:美丽的中产阶级女子塞芙丽娜(凯瑟琳•德纳芙 Catherine Deneuve 饰)拥有一个幸福美满的家庭。身为外科医生的丈夫皮埃尔(让•索尔 Jean Sorel 饰)英俊温柔,收入颇丰,但他却始终无法令妻子得到肉欲上的满足。碍于身份,塞芙丽娜只得通过幻想自己受人虐待和欺凌,并从中得到欢愉。  无可忍耐之下,她跑到妓院卖身,因为只能在丈夫出诊的这段时间(下午2点到5点)出卖身体,因此她得到了“白日美人”的称号。从最初的抗拒到完全的解放,塞芙丽娜得到莫大的满足与快感。在此期间,她结识了职业杀手马塞尔(皮埃尔•克莱蒙迪 Pierre Clémenti 饰),后者为白日美人的美艳与神秘所吸引,却也将彼此带入现实与虚幻交错的混乱之中……
3810
1967
白日美人
主演:凯瑟琳·德纳芙,让·索雷尔,米歇尔·皮科利,吉内瓦维·佩吉,皮埃尔·克里蒙地,弗兰西丝·法比安,玛莎·梅赫勒,穆尼,MariaLatour,克洛德·塞瓦尔,米歇尔·查瑞尔,IskaKhan,贝尔纳·米松,马塞尔·沙尔韦,弗朗索瓦·麦斯特,弗朗西斯科·拉瓦尔,乔治·马沙尔,弗朗西斯·布朗什
呼喊与细语
280
1.0
已完结
呼喊与细语
1.0
更新时间:05月19日
主演:哈里特·安德森,卡莉·西尔万,英格丽·图林,丽芙·乌尔曼,安德斯·埃克,英加·吉尔,厄兰·约瑟夫森,赫宁·莫里岑,GeorgÅrlin,MilesJonn-Dalton,IngridSandell,英格玛·伯格曼,IngridBergman,莱娜·贝格曼,拉尔斯-奥弗·卡尔贝里,MalinGjörup,RossanaMariano,琳·乌尔曼
简介:

  艾格尼丝(哈里特·安德森 Harriet Andersson饰)、玛丽亚(丽芙·乌曼 Liv Ullmann饰)和卡琳(英格里德·图林 Ingrid Thulin饰)虽然是三姊妹,各人内心却有着积重难返的隔膜和疏离。艾格尼丝身患绝症,生命将近,守护在她身边的是女仆安娜。艾格尼丝没有得到过母亲完整的爱,死前妄想让关系紧张的姐妹变得珍爱彼此,却一再事与愿违。
  玛丽亚是最得母亲宠爱的孩子,因此遭到姐妹的嫉妒。她的感情生活处理的一塌糊涂,在丈夫和情人之间徘徊周旋。她对爱越是拥有,就越是贪婪。
  卡琳的生活更是充满压抑。和丈夫的关系陷入僵局,令她沉沦于自虐。
  和好的愿望太过遥远,她们想摆脱生活的阴影,重新拉近彼此的心,却发现隔膜似乎不可打破。

826
1972
呼喊与细语
主演:哈里特·安德森,卡莉·西尔万,英格丽·图林,丽芙·乌尔曼,安德斯·埃克,英加·吉尔,厄兰·约瑟夫森,赫宁·莫里岑,GeorgÅrlin,MilesJonn-Dalton,IngridSandell,英格玛·伯格曼,IngridBergman,莱娜·贝格曼,拉尔斯-奥弗·卡尔贝里,MalinGjörup,RossanaMariano,琳·乌尔曼
没有和解
716
9.0
已完结
没有和解
9.0
更新时间:05月19日
主演:HeinrichHargesheimer,CarlheinzHargesheimer,MarthaStaendner,达尼埃尔·于伊耶,HenningHarmssen,UlrichHopmann,JoachimWeiler,Eva-MariaBold,HiltraudWegener,UlrichvonThüna,ErnstKutzinski,KarlBodenschatz,HeinerBraun,GeorgZander,LutzGrubnau,若阿内斯·巴尔斯基,保罗·埃塞尔
简介:The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
2727
1965
没有和解
主演:HeinrichHargesheimer,CarlheinzHargesheimer,MarthaStaendner,达尼埃尔·于伊耶,HenningHarmssen,UlrichHopmann,JoachimWeiler,Eva-MariaBold,HiltraudWegener,UlrichvonThüna,ErnstKutzinski,KarlBodenschatz,HeinerBraun,GeorgZander,LutzGrubnau,若阿内斯·巴尔斯基,保罗·埃塞尔
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