与“Mo”相关的影片 共
冷暖人间
434
8.0
已完结
冷暖人间
8.0
更新时间:05月19日
主演:拉娜·特纳,李·飞利浦,劳伊德·诺兰,阿瑟·肯尼迪,拉斯·坦布林,泰瑞·摩尔,霍普·兰格,黛安·瓦西,DavidNelson,巴里·科,贝蒂·菲尔德,米尔德丽德·丹诺克,列昂埃姆斯,罗恩·格林,罗伯特哈里斯,TamiConner,StaatsCotsworth,佩格·希利亚丝,埃琳·奥布莱恩-穆尔,RobertAdler,哈里·卡特,约翰·狄福塞,TomGreenway,埃德温杰罗姆,KipKing,迈克·拉里,WilburMack,汉克·曼,雷·蒙哥马利,ScottyMorrow,Ala
简介:故事发生在一座位于英格兰的小镇之中,康斯坦斯(拉娜·特纳 Lana Turner 饰)在经历了纷飞的战火之后终于回到了自己的故乡,她准备在这里好好地疗愈一下疲惫的心灵。虽然小镇表面上是一副风平浪静岁月静好的模样,但实际上,小镇内部的权利中心早已经烂透了。在明媚的阳光之下,无时不刻不发生着丑陋而又肮脏的勾当,权利、道德和法律实际上垄断在了有钱人的手中,他们不容许任何人侵犯这份自私的财产。  一场谋杀案的发生将艾莉森(黛安·瓦西 Diane Varsi 饰)、赛琳娜(霍普·兰格 Hope Lange 饰)等人被卷入了权利旋涡的中心。
6360
1957
冷暖人间
主演:拉娜·特纳,李·飞利浦,劳伊德·诺兰,阿瑟·肯尼迪,拉斯·坦布林,泰瑞·摩尔,霍普·兰格,黛安·瓦西,DavidNelson,巴里·科,贝蒂·菲尔德,米尔德丽德·丹诺克,列昂埃姆斯,罗恩·格林,罗伯特哈里斯,TamiConner,StaatsCotsworth,佩格·希利亚丝,埃琳·奥布莱恩-穆尔,RobertAdler,哈里·卡特,约翰·狄福塞,TomGreenway,埃德温杰罗姆,KipKing,迈克·拉里,WilburMack,汉克·曼,雷·蒙哥马利,ScottyMorrow,Ala
魔鬼的陷阱
343
3.0
已完结
魔鬼的陷阱
3.0
更新时间:05月19日
主演:VítezslavVejrazka,米罗斯拉夫·马哈切克,CestmírRanda,VítOlmer,KarlaChadimová,VlastimilHasek,FrantisekKovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,JiríBelohoubek,JirinaBílá,MonikaIndingerová,LadislavKazda,MilanKindl,伊里·弗斯塔拉
简介:In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.  The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
1740
1962
魔鬼的陷阱
主演:VítezslavVejrazka,米罗斯拉夫·马哈切克,CestmírRanda,VítOlmer,KarlaChadimová,VlastimilHasek,FrantisekKovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,JiríBelohoubek,JirinaBílá,MonikaIndingerová,LadislavKazda,MilanKindl,伊里·弗斯塔拉
罪恶天使1943
951
4.0
已完结
罪恶天使1943
4.0
更新时间:05月19日
主演:瑞奈·福尔,珍妮·霍尔特,Sylvie,米拉·帕雷利,玛丽-埃莱娜·达斯泰,约兰德拉丰,PaulaDehelly,西尔维亚·蒙福尔,GilberteTerbois,路易斯·塞格纳,GeorgesColin,GenevièveMorel,ChristianeBarry,JeanMorel,JacquelineChampi,马德莱娜·克莱瓦纳,安德丽·克莱芒,ElisabethHardy,贝尔纳·拉雅里热,JacquelineMarbaux,ClaireOlivier,Madeleine
简介:玛丽安娜(Renée Faure 饰)从小立志成为一名修女,而在偌大的修道院中,没有任何一个人对待上帝能有玛丽安娜这般虔诚,因此,玛丽安娜成为了修女们眼中的异类。对于同伴们的嘲笑和奚落,玛丽安娜并不在意,侍奉着上帝的每一天都让她的内心感到无比的宁静和快乐。  某一天,这种宁静被打破了,她听见了上帝的声音,让她帮助名叫泰莱斯(Jany Holt 饰)的女人。泰莱斯是一个妓女,犯了谋杀罪行的她为了逃避惩罚躲入了修道院中。对于玛丽安娜的照顾和关怀,泰莱斯置若罔闻,在内心里,她甚至不相信上帝的存在。终于,警察来到修道院逮捕了泰莱斯,玛丽安娜伤心欲绝。被逐出教会的她依然日日躲在教会后面的树林里祷告,终于患上不治之症。临死前,泰莱斯被带到玛丽安娜的跟前,在她憔悴虚弱的脸上,泰莱斯仿佛看见了上帝,也看见了自己的罪孽。
1912
1943
罪恶天使1943
主演:瑞奈·福尔,珍妮·霍尔特,Sylvie,米拉·帕雷利,玛丽-埃莱娜·达斯泰,约兰德拉丰,PaulaDehelly,西尔维亚·蒙福尔,GilberteTerbois,路易斯·塞格纳,GeorgesColin,GenevièveMorel,ChristianeBarry,JeanMorel,JacquelineChampi,马德莱娜·克莱瓦纳,安德丽·克莱芒,ElisabethHardy,贝尔纳·拉雅里热,JacquelineMarbaux,ClaireOlivier,Madeleine
月神的宠儿
262
1.0
已完结
月神的宠儿
1.0
更新时间:05月19日
主演:卡特娅·卢佩,AlixdeMontaigu,FrançoisMichel
简介:剧情简介  这是一部散文式的电影,表现的是生命在人群里的心灵孤单,影片通过时空交叉的手法,在看似杂乱无章的情节里以一个枪支经销商、一伙艺术品小偷、一帮疯狂的老男人、一个压抑的警察以及形形色色的怪人因为一幅被盗的19世纪的油画和一个 18 世纪破损的陶瓷餐盘落和入不同人手中的产生的不同故事,带出导演对艺术和生命偶然性的思索,导演让这种戏剧性匆忙了黑色幽默和人性的绝望,有着一种对流逝莫名的伤怀和法国电影特有的艺术情趣。  幕后花絮  影片以优雅的弦乐四重奏贯穿全剧和电影里险恶、卑微的人性的产生了鲜明的戏剧冲突。影片开始于18世纪同样结束于这个年代,影片以黑白画面表述18世纪女模特在画室的场景有着关于艺术永恒的追忆,而被砸碎的瓷盘则有着逝者如斯的感怀。影片以跳切手法剪接对观众理清头绪是个考验。  片子里导演以残垣断壁和马蹄下的碎瓷表明了战争对于艺术的无情践踏和损害。同样抽烟的孩子,争夺出租车的人们这些市井的场面是导演对当下法国人文环境的看法,有些细节十分有意思,那般狂人炸了街心花园后,警察局里按部就班传递公文的滑稽镜头是隐喻性的。同样,枪支经销商和他妻子举办沙龙,两人在客人面前的温文尔雅和客人走后各进各的房间和情人幽会的场面是对中产阶级虚伪假面的批判和辛辣讽刺。导演以寥寥几个划出镜头就已经表现了这类沙龙的造作和乏味,而经典的场景是出现在夫妇俩送客以后,各自回房各自偷欢,所以好的影像是可以通过画面本身说话的。看似凌乱的场面里有着作者对于历史和人生的独到见解。电影隐晦指证了资本主义婚姻的虚假,特别是警察局探长家里自己家孩子一起抽烟的场景有着对次序维护者的疑问,通过这些无人管束的孩子反映着成人世界的隔阂和伪善。同样通过枪械商人家的兴衰反映了人就是历史过客的主题,能够留存的是艺术品本身的价值,而不是艺术品占有者的名声。  影片情节安排上也是比较巧妙的,孩子们在街头玩耍将玻璃片放在汽车轮胎下为此后追捕时枪械商人的束手就擒形成了必然的联系。影片最后许多主人公因为各种原因被杀了,一方面表示了当代社会的动荡,另一方面又反衬了人是过客的主题。  影片结尾有着法式的忧伤,那代表着历史传承的老屋被推土机推倒,而黑白影像里前人的优雅只是记忆里的,导演在这部影片以瓷盘和一幅画在不同人手中的轮回,讥讽了人的贪念和偶然性里人的无奈。用一个物件作为线索贯穿整部电影的有很多,比如中国的早期影片《压岁钱》,但是,能够从中读解出深层人文意义的,此片导演的艺术见地无疑是高明的,此片是导演第一部法文影片,它在优雅的姿态下隐喻了生命的逝去…影片以它深刻的人生寓意而获1984年威尼斯电影节特别评审团大奖
325
1984
月神的宠儿
主演:卡特娅·卢佩,AlixdeMontaigu,FrançoisMichel
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